The Complicated Lives of Fascination and Deception

Claes Bang’s latest role as Felix Kersten, Heinrich Himmler’s personal masseur, in “I Is Another” raises questions about the nature of complicity and human desire for validation. The film, directed by Felix Randau, is based on the true story of Kersten, who claimed to have saved numerous lives during World War II due to his influence over the Nazi leader.

At first glance, it’s difficult not to be drawn into the intrigue surrounding Kersten’s life. His story involves calculated risk-taking and exploitation as he uses his position to manipulate those in power and further his own interests. Bang notes that Kersten was driven by a desire for recognition, particularly the Nobel Peace Prize. This desire to be seen as a “good guy” resonates with many people, including actors like Bang himself.

However, as the film unfolds, it becomes clear that Kersten’s motivations are far from altruistic. His actions are driven by self-preservation and personal advancement rather than any genuine concern for others. This raises important questions about complicity in times of war and oppression. When faced with impossible choices, do individuals have a responsibility to resist or conform?

The film highlights the complex relationships between individuals during this period. Kersten’s role as Himmler’s masseur is not just one of exploitation but also interdependence. Himler relies on Kersten for physical relief, while Kersten uses his position to gain influence and protection.

This dynamic is reminiscent of other historical figures who navigated Nazi Germany’s treacherous waters. Coco Chanel’s relationship with the Nazi party comes closest to mind. Her involvement was not just complicity but also calculated self-preservation. As Bang notes, “What did people know about the Nazi party’s atrocities when they were keeping them a secret? People were trying to survive while their country was at war.”

The film serves as a powerful reminder that even in extreme circumstances, individuals can have complex and multifaceted motivations. Kersten’s story is not simply one of villainy or heroism but rather a nuanced exploration of human nature. As Bang notes, “We can’t possibly fathom being in that situation.” This inability to fully understand the circumstances makes his actions so fascinating – and disturbing.

The film raises important questions about responsibility and complicity in times of war and oppression. While Kersten’s story is complex and multifaceted, one thing is clear: his actions had real consequences for those around him. As we continue to grapple with World War II’s legacy, “I Is Another” serves as a timely reminder that even minor actions can have far-reaching implications.

The film’s exploration of Kersten’s inner turmoil and contradictions highlights the tension between individual agency and systemic oppression. When confronted with impossible choices, do individuals have the capacity to resist or conform? What does it mean to “do something good” in a hostile and unforgiving world?

Watching Bang navigate the complexities of Kersten’s life forces us to confront our assumptions about human nature. His performance raises questions about complicity and human desire for validation – and leaves us with more questions than answers.